Writerly Ways
Dec. 14th, 2025 10:42 pmWhen you want to do a flashback (or prequel) you need to be sure of what you want to convey and how effective it'll be. In the above mentioned show it tried hard to add tension with Hudson and Rex's first case together with the well the dog's handler is dead so we're most likely going to euthanize the K9 (something the united States stopped doing in the Clinton era, not sure about Canada where this takes place) But here's the thing it's going back and forth between 3 years in the past and the present where Rex IS Hudson's partner so we know for a fact that Rex isn't euthanized.
So there is NO tension and that is something we have to worry about when we're doing a flashback. You can't build tension when the reader/viewer already knows the answer. We need to be given new information or else the flashback feels pointless or at least a partial waste of time. Learning how Hudson and Rex first met = good use of flashback, trying to make me worry that Rex will be put to sleep = waste of my time. I know he isn't. I'm not going to invest in something I already know (Prequels have even bigger issues with this).
For me, a flash back needs to advance the present plot or fill in backstory we need (or at least want to have). Hazbin Hotel did a pretty good job of this with both Alastor (though his backstory was in the old notes but you can't b e sure they'd be considered canon any more) and Vox's (making so many fan theorists happy) Both flashbacks showed us how they ended up where they were and how they are. Yes we know they both end up overlords in hell but seeing how it happened was character building.
So I guess what I'm saying is know what you wnat from a flashback and be careful as to how you attempt it.
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ETA - Holy hell just as I posted I saw Rob & Michele Reiner were found dead today, a suspected homicide.
